<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3713334427135773509</id><updated>2012-02-16T19:26:22.327-08:00</updated><category term='metrô Londres'/><category term='metrópoles'/><title type='text'>Arquitetura Hodierna</title><subtitle type='html'>Blog da disciplina Arquitetura Hodierna.
Curso de Arquitetura Unicep, São Carlos.     Prof. responsável: Marcos Marchetti.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>27</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-1454974025906942371</id><published>2009-09-22T05:35:00.000-07:00</published><updated>2009-09-22T05:45:41.382-07:00</updated><title type='text'>Turma do período Noturno: textos</title><content type='html'>Pessoal,&lt;br /&gt;Neste post reuni os textos que passei nas aulas, como haviam me pedido.&lt;br /&gt;&lt;br /&gt;COUCHOT, E. Da representação à simulação: evolução das técnicas e das artes da figuração.&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm"&gt;http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online01.htm"&gt;HABITAÇÃO, HÁBITOS E HABITANTES: TENDÊNCIAS CONTEMPORÂNEAS METROPOLITANAS.&lt;/a&gt;&lt;/span&gt; &lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online03.htm"&gt;Um toque de imaterialidade:o impacto das novas midias no projeto do espaço doméstico.&lt;/a&gt; &lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/castells.htm"&gt;Castels, M. O paradigma da tecnologia da informação.&lt;br /&gt;http://www.eesc.usp.br/nomads/castells.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-1454974025906942371?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/1454974025906942371/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=1454974025906942371&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1454974025906942371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1454974025906942371'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/09/turma-do-periodo-noturno-textos.html' title='Turma do período Noturno: textos'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-561084942222029027</id><published>2009-09-22T05:32:00.000-07:00</published><updated>2009-09-22T05:35:08.565-07:00</updated><title type='text'>Habitação como Interface</title><content type='html'>&lt;strong&gt;Habitação:&lt;/strong&gt;&lt;br /&gt;. Espaço onde todos os fluxos da metrópole se entrecruzam;&lt;br /&gt;. Abriga hoje (década de 2000) um maior número de atividades em seu espaço interno, diferentemente das décadas passadas.&lt;br /&gt;. Novos equipamentos, &lt;em&gt;homeworking&lt;/em&gt;;&lt;br /&gt;. Automação residencial possibilita uma maior flexibilidade dos espaços, assim como tende a otimizar seus usos.&lt;br /&gt;&lt;br /&gt;A partir destes pontos, e sob a luz do texto de M. Castells, discutimos a relação entre espaço de habitar e interfaces comunicacionais.&lt;br /&gt;&lt;br /&gt;Conceituadas estas relações, foram expostos exemplos mais &lt;span style="color: rgb(153, 0, 0);"&gt;RADICAIS&lt;/span&gt; (relacionados à raiz do conceito, à essência): projetos arquitetônicos &lt;span style="color: rgb(153, 0, 0);"&gt;EXPERIMENTAIS&lt;/span&gt;, propostos a partir do ano de 1995.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.oosterhuis.nl/quickstart/uploads/pics/variomatic-12.jpg" /&gt;&lt;br /&gt;Variomatic - programable housing&lt;br /&gt;Arquiteto: Kas Oosterhuis&lt;br /&gt;Zoetermeer – Holanda, 2000&lt;br /&gt;&lt;a href="http://www.oosterhuis.nl/quickstart/index.php?id=135"&gt;http://www.oosterhuis.nl/quickstart/index.php?id=135&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/42-Hyperhouse/exemplos-da-pele1.jpg" width="467" height="337" /&gt;&lt;br /&gt;Hyperhouse&lt;br /&gt;Arquitetos: Crowd Productions&lt;br /&gt;Sidney - Austrália, 2000&lt;br /&gt;&lt;a href="http://crowd.com.au/A_hyper.html"&gt;http://crowd.com.au/A_hyper.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/32-Digital%20house/elevacao.jpg" width="467" height="260" /&gt;&lt;br /&gt;Digital house&lt;br /&gt;Arquitetos: Hariri + Hariri studio&lt;br /&gt;EUA, 1998&lt;br /&gt;&lt;a href="http://www.haririandhariri.com/RESIDENTIAL_FRAMESET.htm"&gt;http://www.haririandhariri.com/RESIDENTIAL_FRAMESET.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 443px; height: 334px;" src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/45-turnOn/extend.jpg" width="443" height="356" /&gt;&lt;br /&gt;turnOn: urban sushi&lt;br /&gt;AWG [AllesWirdGut]&lt;br /&gt;Áustria, 1999-2000&lt;br /&gt;&lt;a href="http://www.alleswirdgut.cc/awg.php?go=TURNON"&gt;http://www.alleswirdgut.cc/awg.php?go=TURNON&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;texto:&lt;br /&gt;&lt;/strong&gt;COUCHOT, E. Da representação à simulação: evolução das técnicas e das artes da figuração.&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm"&gt;http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sugestão:&lt;/strong&gt;&lt;br /&gt;achei esse link bem interessante.&lt;br /&gt;É uma linha do tempo sobre a interatividade na arquitetura.&lt;br /&gt;Notem a presença de projetos abordados (ou ainda a serem abordados) em nossas aulas!&lt;br /&gt;&lt;a href="http://www.dipity.com/user/sakr/timeline/personal/list"&gt;http://www.dipity.com/user/sakr/timeline/personal/list&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-561084942222029027?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/561084942222029027/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=561084942222029027&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/561084942222029027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/561084942222029027'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/09/habitacao-como-interface.html' title='Habitação como Interface'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7848661381417667598</id><published>2009-09-20T14:46:00.000-07:00</published><updated>2009-09-20T14:57:04.320-07:00</updated><title type='text'>Alienação gerada pelo trabalho repetitivo fordista (segunda aula)</title><content type='html'>&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_Sh7QWxexX7A/SralDaLulpI/AAAAAAAAAd8/h1DGhgTf4Jg/s1600-h/charge.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 89px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5383671882554709650" border="0" alt="" src="http://4.bp.blogspot.com/_Sh7QWxexX7A/SralDaLulpI/AAAAAAAAAd8/h1DGhgTf4Jg/s320/charge.JPG" /&gt;&lt;/a&gt; &lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 168px; DISPLAY: block; HEIGHT: 140px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5383671890653658066" border="0" alt="" src="http://2.bp.blogspot.com/_Sh7QWxexX7A/SralD4Wqu9I/AAAAAAAAAeE/OH8HNi9ipRo/s320/chaplin.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;No modelo de produção fordista, na primeira metade do século XX, ocorreu a divisão do trabalho, gerando operações simples e repetitivas na esteira. Chaplin, no filme Tempos Modernos, critica a sociedade moderna fordista, notadamente na alienação e na exploração do operário.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7848661381417667598?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7848661381417667598/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7848661381417667598&amp;isPopup=true' title='3 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7848661381417667598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7848661381417667598'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/09/alienacao-gerada-pelo-trabalho.html' title='Alienação gerada pelo trabalho repetitivo fordista (segunda aula)'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Sh7QWxexX7A/SralDaLulpI/AAAAAAAAAd8/h1DGhgTf4Jg/s72-c/charge.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-2758953929257998066</id><published>2009-09-09T10:58:00.000-07:00</published><updated>2009-09-09T11:07:41.684-07:00</updated><title type='text'>2009: programação e temas para os seminários</title><content type='html'>Pessoal,&lt;br /&gt;abaixo segue a programação da disciplina para o semestre de 2009.&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Programação 2º. Semestre 2009&lt;/span&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Diurno:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;   21 de agosto a 25 de setembro – aulas teóricas.   &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;outubro  &lt;/span&gt;&lt;br /&gt;09 – Debate: reflexão sobre momento atual, sob a luz das aulas teóricas.&lt;br /&gt;16 – Seminário: Michael Sorkin Studio ou Shigeru Ban&lt;br /&gt;23 – CIC/CONAPE&lt;br /&gt;30 – Seminário: Alles Wird Gut (AWG Architektur)   &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;novembro  &lt;/span&gt;&lt;br /&gt;06 - Seminário: Diller + Scofidio &lt;br /&gt;13 - Seminário: MVRDV&lt;br /&gt;20 - Seminário: Asymptote&lt;br /&gt;27 - Seminário: UN Studio ou Herzog + de Meuron     &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;dezembro  &lt;/span&gt;&lt;br /&gt;04 – entrega das monografias&lt;br /&gt;11 – Semana de TGI&lt;br /&gt;18 – Entrega final das notas, prova substitutivas.      &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Noturno:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;21 de agosto a 25 de setembro – aulas teóricas. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;outubro  &lt;/span&gt;&lt;br /&gt;09 – Avaliação.&lt;br /&gt;16 – Seminário: Archigram&lt;br /&gt;23 – CIC/CONAPE&lt;br /&gt;30 – Seminário: Foreign Office Architecture - FOA &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;novembro  &lt;/span&gt;&lt;br /&gt;06 - Seminário: dECOi &lt;br /&gt;13 - Seminário: Hariri + Hariri Architecture ou Studio Elastico&lt;br /&gt;20 - Seminário: Peter Zellner&lt;br /&gt;27 - Seminário: NOX Architecture   &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;dezembro  &lt;/span&gt;&lt;br /&gt;04 – Prova substitutiva&lt;br /&gt;11 – Semana de TGI&lt;br /&gt;18 – Entrega final das notas.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Por favor, pesquisem e escolham seus temas.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-2758953929257998066?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/2758953929257998066/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=2758953929257998066&amp;isPopup=true' title='6 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2758953929257998066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2758953929257998066'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/09/2009-programacao-e-temas-para-os.html' title='2009: programação e temas para os seminários'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-4148697159527518967</id><published>2009-09-05T22:47:00.000-07:00</published><updated>2009-09-22T05:30:38.787-07:00</updated><title type='text'>Novos Limites das Metrópoles</title><content type='html'>Ainda discutindo as principais características do momento atual, na última aula abordamos os seguintes assuntos, tendo como recorte o espaço (concreto e virtual) das metrópoles:&lt;br /&gt;&lt;br /&gt;. A substituição das muralhas por uma malha informatizada de vigilância.&lt;br /&gt;&lt;br /&gt;. telepresença: presença à distância, através de um corpo sem matéria, apenas informação.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;. o mapa do metrô de Londres.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://homepage.ntlworld.com/clivebillson/tube/tube.html"&gt;&lt;span style="font-size:85%;"&gt;[link para a página com a História do Mapa do Metrô de Londres]&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;. sociedade industrial (séc. XVIII e XIX): a população agrupa-se em pólos onde está a informação,&lt;br /&gt;. sociedade pós-industrial, ou sociedade da era da informação: o escritório (local de trabalho) é onde você está.&lt;br /&gt;&lt;br /&gt;. novos perfis de habitantes das metrópoles: &lt;strong&gt;Sedentários e Nômades.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;. Novos contornos das esferas pública e privada.&lt;/p&gt;. Finalizamos com exemplos de apropriações arquitetônicas do espaço urbano dos dias atuais.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Textos para próxima aula:&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online01.htm"&gt;HABITAÇÃO, HÁBITOS E HABITANTES: TENDÊNCIAS CONTEMPORÂNEAS METROPOLITANAS.&lt;/a&gt;&lt;/span&gt; &lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online03.htm"&gt;Um toque de imaterialidade:o impacto das novas midias no projeto do espaço doméstico.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-4148697159527518967?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/4148697159527518967/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=4148697159527518967&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/4148697159527518967'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/4148697159527518967'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/09/novos-limites-das-metropoles.html' title='Novos Limites das Metrópoles'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7393221736040178129</id><published>2009-08-28T20:54:00.000-07:00</published><updated>2009-09-22T05:32:34.555-07:00</updated><title type='text'>disciplina arquitetura hodierna, 2009: novo início, novas turmas</title><content type='html'>Primeira aula.&lt;br /&gt;&lt;br /&gt;Foram discutidos os 5 Paradigmas tecnológicos dos dias atuais propostos por M. Castells:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1. Matéria prima&lt;br /&gt;&lt;br /&gt;2. Dispersão (penetrabilidade)&lt;br /&gt;&lt;br /&gt;3. Lógica [arquitetura] de redes&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;4. Flexibilidade&lt;br /&gt;&lt;br /&gt;5. Convergências (hibridismos)&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(ler texto completo em: &lt;/span&gt;&lt;a href="http://www.nomads.usp.br/site/castells.htm"&gt;&lt;span style="font-size:85%;"&gt;http://www.eesc.usp.br/nomads/castells.htm &lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Obs.:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Por favor: participem deste blog.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Não apenas leiam, mas registrem sua participação, sugerindo temas em posts, ou comentando temas propostos!&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7393221736040178129?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7393221736040178129/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7393221736040178129&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7393221736040178129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7393221736040178129'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2009/08/disciplina-arquitetura-hodierna-2009.html' title='disciplina arquitetura hodierna, 2009: novo início, novas turmas'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-1941184986592098724</id><published>2008-12-09T05:20:00.000-08:00</published><updated>2008-12-09T05:39:35.215-08:00</updated><title type='text'>Seminário Greg Lynn</title><content type='html'>Neste último seminário da disciplina Arquitetura Hodierna, tivemos uma idéia dos processos projetuais do arquiteto americano Greg Lynn.&lt;br /&gt;O espaço montado para o seminário era uma tenda feita de TNT branco, que recebia os alunos para assistirem uma apresentação no data-show.&lt;br /&gt;Dois pontos podem ser observados: um espaço com vedações leves e clean, remetendo à idéia de imaterialidade, característica de processos digitais com os quais Greg Lynn relaciona seus trabalhos.&lt;br /&gt;Ou ainda um espaço embrionário, uma tela em branco esperando por intervenções e interatividades de seus usuários, a exemplo do projeto de unidades habitacionais Embryo House.&lt;br /&gt;&lt;br /&gt;A seguir, momentos do encontro que fechou a série de reflexões e experimentações semanais sobre formas de pensar a arquitetura dos dias de hoje.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh3.ggpht.com/_Sh7QWxexX7A/STskIvNBW7I/AAAAAAAAATg/vFFT7nGd7kA/s512/lynn%2016.jpg" /&gt; &lt;img style="WIDTH: 483px; HEIGHT: 469px" src="http://lh3.ggpht.com/_Sh7QWxexX7A/STskvUSmkeI/AAAAAAAAAVc/uTvLFH00X84/s512/lynn%2001.jpg" width="484" height="470" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 483px; HEIGHT: 368px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/STskM_QOEHI/AAAAAAAAATo/VbSbzW7niRc/s640/lynn%2015.jpg" width="516" height="395" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 483px; HEIGHT: 377px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/STskQOP8h2I/AAAAAAAAATw/GeabavOICRQ/s640/lynn%2014.jpg" width="515" height="410" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 483px; HEIGHT: 305px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/STskTVzPQTI/AAAAAAAAAT8/RjaBFkaRK4w/s640/lynn%2013.jpg" width="515" height="366" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 483px; HEIGHT: 358px" src="http://lh6.ggpht.com/_Sh7QWxexX7A/STskW_Yji-I/AAAAAAAAAUE/hgsxRCjTweU/s640/lynn%2012.jpg" width="640" height="478" /&gt;&lt;br /&gt;&lt;img src="http://lh3.ggpht.com/_Sh7QWxexX7A/STskfn3VoqI/AAAAAAAAAUk/t-FynEvwcY4/s512/lynn%2008.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 483px; HEIGHT: 369px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/STsknlP3jxI/AAAAAAAAAU8/xgGwrrxBAKw/s640/lynn%2005.jpg" width="484" height="368" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/_Sh7QWxexX7A/STskrAawAQI/AAAAAAAAAVE/36lCLC_UbIY/s512/lynn%2004.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;Mais imagens do seminário:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/GregLynn"&gt;&lt;span style="font-size:85%;"&gt;http://picasaweb.google.com.br/arqhod/GregLynn&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;#&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="color:#ff0000;"&gt;Boas Festas, &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#ff0000;"&gt;Feliz Natal&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#ff0000;"&gt;E Feliz Ano Novo!!!&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-1941184986592098724?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/1941184986592098724/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=1941184986592098724&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1941184986592098724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1941184986592098724'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/12/seminrio-greg-lynn.html' title='Seminário Greg Lynn'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh3.ggpht.com/_Sh7QWxexX7A/STskIvNBW7I/AAAAAAAAATg/vFFT7nGd7kA/s72-c/lynn%2016.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-2773197882289545681</id><published>2008-11-28T16:20:00.000-08:00</published><updated>2008-11-28T16:39:46.183-08:00</updated><title type='text'>Seminário: Coop Himmelb[L]au</title><content type='html'>Neste seminário, vimos uma arquitetura com estreitas relações com o desenho.&lt;br /&gt;Os espaços criados pelo escritório Coop Himmelb[L]au são extremamente fiéis não só ao projeto, mas aos croquis iniciais de cada idéia.&lt;br /&gt;O grupo do seminário criou uma dinâmica espacial da sala com um centro, que tinha o data-show projetando as imagens no teto.&lt;br /&gt;Neste centro também havia uma forma baseada no que o grupo do seminário reconheceu por forma recorrente nos trabalhos do escritório de arquitetura pesquisado.&lt;br /&gt;Esta forma era constituída por delgadas linhas, cordas finas usadas em varal, além de arame, que se expandiam do centro e se amarravam ao redor da sala.&lt;br /&gt;Os alunos sentaram-se nas pranchetas dispostas em círculo, ao redor do centro irradiador de linhas amarelas.&lt;br /&gt;Ao final do seminário, foram servidos pasteizinhos de vento, uma metáfora da companhia da nuvem azul. Ou uma metáfora de uma estrutura que por ela só se basta, sem necessitar de recheios?&lt;br /&gt;O fato é que os pasteizinhos de vento acabaram-se rapidamente, não restando nenhum para fotografias...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/_Sh7QWxexX7A/SS7gRYEybMI/AAAAAAAAAQ8/O2TiMtjwdEk/s512/coop%20h%2009.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 448px; HEIGHT: 335px" src="http://lh6.ggpht.com/_Sh7QWxexX7A/SS7gSaqOurI/AAAAAAAAARE/l4hY_R3m1pI/s640/coop%20h%2008.jpg" width="453" height="363" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 448px; HEIGHT: 348px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SS7gVKoFATI/AAAAAAAAARU/zhzMqp0MHaQ/s640/coop%20h%2006.jpg" width="450" height="383" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 448px; HEIGHT: 359px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SS7gYYKBPjI/AAAAAAAAARc/u6omuLmQaWY/s640/coop%20h%2005.jpg" width="448" height="442" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 449px; HEIGHT: 401px" src="http://lh6.ggpht.com/_Sh7QWxexX7A/SS7gb7dAYLI/AAAAAAAAAR0/fHgSoq5OJFs/s576/coop%20h%2002.jpg" width="449" height="434" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 450px; HEIGHT: 360px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SS7gZRbRMjI/AAAAAAAAARk/3kvvitZ3K6Y/s640/coop%20h%2004.jpg" width="449" height="402" /&gt;&lt;br /&gt;&lt;br /&gt;mais imagens do seminário:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/CoopHimmelbLAu"&gt;&lt;span style="font-size:85%;"&gt;http://picasaweb.google.com.br/arqhod/CoopHimmelbLAu&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;#&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#ffffff;"&gt;..&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-2773197882289545681?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/2773197882289545681/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=2773197882289545681&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2773197882289545681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2773197882289545681'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/seminrio-coop-himmelblau.html' title='Seminário: Coop Himmelb[L]au'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/_Sh7QWxexX7A/SS7gRYEybMI/AAAAAAAAAQ8/O2TiMtjwdEk/s72-c/coop%20h%2009.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8784156912072317546</id><published>2008-11-22T09:48:00.000-08:00</published><updated>2008-11-22T13:12:19.438-08:00</updated><title type='text'>Seminário Asymptote</title><content type='html'>Devido alguns imprevistos de última hora, o grupo responsável pelo tema Asymptote criou um espaço adaptando-se às condições da sala de aula, em um intervalo de tempo bastante resumido.&lt;br /&gt;Como foi comentado, mesmo improvisado, o espaço montado mostrou direcionamentos bem claros de organização espacial e de exposição de idéias.&lt;br /&gt;No centro, um tótem criado com pranchetas empilhadas era suporte para uma fita contínua de papel cartão, refência à fita de Moebius.&lt;br /&gt;A continuidade da "fita" é um conceito que influencia nossas vidas até hoje, partindo das vanguardas modernistas do século XX, ou até bem antes.&lt;br /&gt;Mas o tótem também era uma possível leitura do projeto do edifício do Museu Eyebeam, projetado pelo Asymptote.&lt;br /&gt;O seminário foi apresentado com dois notebooks, em substituição do data-show, criando uma divisão espacial passando pelo centro da sala, gerando dois grupos de alunos assistindo ao seminário.&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 456px; HEIGHT: 310px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SSg7bzfJFWI/AAAAAAAAAPY/TS7SN_ejqOk/s720/asymptote%2006.jpg" width="440" height="287" /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/_Sh7QWxexX7A/SSg7dsnLPwI/AAAAAAAAAPg/GEuRJyyU40M/s512/asymptote%2005.jpg" width="457" height="512" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 457px; HEIGHT: 575px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SSg7gp1CHiI/AAAAAAAAAP4/20rJIQ1wYNI/s512/asymptote%2002.jpg" width="455" height="575" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 457px; HEIGHT: 356px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg7X2XY_cI/AAAAAAAAAPI/nFqaZvcu_yI/s640/asymptote%2008.jpg" width="460" height="441" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 457px; HEIGHT: 345px" src="http://lh3.ggpht.com/_Sh7QWxexX7A/SSg7enBMkuI/AAAAAAAAAPo/h8nllQDEepA/s640/asymptote%2004.jpg" width="462" height="385" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 458px; HEIGHT: 359px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg7f0QQ94I/AAAAAAAAAPw/o7J45yqVqz4/s720/asymptote%2003.jpg" width="458" height="483" /&gt;&lt;br /&gt;&lt;br /&gt;Mais imagens do seminário no link abaixo:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/Asymptote"&gt;&lt;span style="font-size:85%;"&gt;http://picasaweb.google.com.br/arqhod/Asymptote&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;#&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8784156912072317546?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8784156912072317546/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8784156912072317546&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8784156912072317546'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8784156912072317546'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/seminrio-asymptote.html' title='Seminário Asymptote'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_Sh7QWxexX7A/SSg7bzfJFWI/AAAAAAAAAPY/TS7SN_ejqOk/s72-c/asymptote%2006.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-5977276623916374198</id><published>2008-11-22T08:57:00.000-08:00</published><updated>2008-11-22T09:48:16.140-08:00</updated><title type='text'>seminário MVRDV</title><content type='html'>O seminário aconteceu na sala do bloco ao lado, onde os alunos responsáveis pelo seminário fizeram uma instalação utilizando caixas de papelão reutilizadas.&lt;br /&gt;A montagem do espaço, previamente pensada para o espaço das escadas do bloco das salas de aula, baseou-se nos princípios formais do edifício de habitações WOZOCO's.&lt;br /&gt;Outro fator importante para o conceito trabalhado foram imagens do universo pop europeu, que influenciam diretamente o trabalho do grupo.&lt;br /&gt;Para isso, utilizaram as caixas de papelão para criar volumes cúbicos que se empilhavam formando uma parede escultórica.&lt;br /&gt;Por entre esses volumes, as imagens do seminário eram projetadas, intercaladas por videoclipes de trabalhos do grupo MVRDV.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 431px; HEIGHT: 321px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg6vpp5xzI/AAAAAAAAAM8/OWtZYSTb1FA/s640/mvrdv%2015.jpg" width="456" height="321" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 432px; HEIGHT: 368px" src="http://lh3.ggpht.com/_Sh7QWxexX7A/SSg6w3cnYJI/AAAAAAAAANE/OgCNqsIYQ7c/s640/mvrdv%2014.jpg" width="433" height="386" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 432px; HEIGHT: 367px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg6yW3G0XI/AAAAAAAAANM/CouZfHpX6YI/s640/mvrdv%2013.jpg" width="435" height="391" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 434px; HEIGHT: 330px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SSg6zt46fgI/AAAAAAAAANU/bAwtFvXOQgs/s640/mvrdv%2011.jpg" width="436" height="358" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 434px; HEIGHT: 420px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SSg627MlYKI/AAAAAAAAANk/T64iCLwOmNg/s576/mvrdv%2009.jpg" width="641" height="535" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 434px; HEIGHT: 352px" src="http://lh5.ggpht.com/_Sh7QWxexX7A/SSg6zt46fgI/AAAAAAAAANU/bAwtFvXOQgs/s640/mvrdv%2011.jpg" width="433" height="352" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 435px; HEIGHT: 308px" src="http://lh6.ggpht.com/_Sh7QWxexX7A/SSg7BweGD0I/AAAAAAAAAOc/aSlHdY7kq3U/s640/mvrdv%2002.jpg" width="439" height="363" /&gt; &lt;img style="WIDTH: 435px; HEIGHT: 314px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg68aiawsI/AAAAAAAAAOE/mexNqvpiSBc/s640/mvrdv%2005.jpg" width="441" height="353" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 435px; HEIGHT: 344px" src="http://lh4.ggpht.com/_Sh7QWxexX7A/SSg7Atpd8YI/AAAAAAAAAOU/nNass44l5f8/s640/mvrdv%2003.jpg" width="440" height="361" /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/_Sh7QWxexX7A/SSg65k4b8aI/AAAAAAAAAN0/BpjMKvhpsE4/s512/mvrdv%2007.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;O seminário foi finalizado com videoclipes de bandas do cenário pop europeu, acompanhados por petiscos e biscoitos natalinos holandeses para degustação.&lt;br /&gt;&lt;br /&gt;Mais fotos (clicadas pelo Paulo, aliás, muito bem clicadas!) do seminário podem ser vistas no link abaixo:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/MVRDV"&gt;&lt;span style="font-size:85%;"&gt;http://picasaweb.google.com.br/arqhod/MVRDV&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;#&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-5977276623916374198?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/5977276623916374198/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=5977276623916374198&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/5977276623916374198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/5977276623916374198'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/seminrio-mvrdv.html' title='seminário MVRDV'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh4.ggpht.com/_Sh7QWxexX7A/SSg6vpp5xzI/AAAAAAAAAM8/OWtZYSTb1FA/s72-c/mvrdv%2015.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-3710766067497446898</id><published>2008-11-22T08:19:00.000-08:00</published><updated>2008-11-22T08:25:09.558-08:00</updated><title type='text'>Links para Coop Himmelb[l]au</title><content type='html'>&lt;a href="http://www.archidose.org/Oct02/102802.html"&gt;&lt;/a&gt;&lt;br /&gt;Roof Top Office: &lt;a href="http://www.archidose.org/Oct00/101600.html"&gt;http://www.archidose.org/Oct00/101600.html&lt;/a&gt;&lt;br /&gt;BMW Delivery Center: &lt;a href="http://www.archidose.org/Oct02/102802.html"&gt;http://www.archidose.org/Oct02/102802.html&lt;/a&gt;&lt;br /&gt;Museé des Confluences:&lt;br /&gt;&lt;a href="http://www.museedesconfluences.fr/chantier/visite_virtuelle/visite.html?keepThis=true&amp;amp;TB_iframe=true&amp;amp;width=800&amp;amp;height=600"&gt;http://www.museedesconfluences.fr/chantier/visite_virtuelle/visite.html?keepThis=true&amp;amp;TB_iframe=true&amp;amp;width=800&amp;amp;height=600&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.vitruvius.com.br/arquitextos/arq066/arq066_02.asp"&gt;http://www.vitruvius.com.br/arquitextos/arq066/arq066_02.asp&lt;/a&gt;&lt;br /&gt;&lt;a href="http://architecturelab.net/2007/10/15/coop-himmelblaus-design-for-a-vertical-city-in-frankfurt-germany/"&gt;http://architecturelab.net/2007/10/15/coop-himmelblaus-design-for-a-vertical-city-in-frankfurt-germany/&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-3710766067497446898?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/3710766067497446898/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=3710766067497446898&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/3710766067497446898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/3710766067497446898'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/links-para-coop-himmelblau.html' title='Links para Coop Himmelb[l]au'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7951086933910236301</id><published>2008-11-20T08:58:00.000-08:00</published><updated>2008-11-20T09:02:15.394-08:00</updated><title type='text'>link interessante: revista Penas</title><content type='html'>Pessoal,&lt;br /&gt;descobri sem querer esta revista: Penas.&lt;br /&gt;Uma revista dos estudantes de arquitetura da UFRN.&lt;br /&gt;Como tem vários temas, achei que pudesse interessar a todos vocês, pré-TGIndos!&lt;br /&gt;O link é:&lt;br /&gt;&lt;a href="http://www.darq.ufrn.br/?pg=paginas%7Crevista-html"&gt;http://www.darq.ufrn.br/?pg=paginas%7Crevista-html&lt;/a&gt;&lt;br /&gt;para ir direto pra revista:&lt;br /&gt;&lt;a href="http://www.darq.ufrn.br/admin/editor/Penas02baixaresolucao.pdf"&gt;http://www.darq.ufrn.br/admin/editor/Penas02baixaresolucao.pdf&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7951086933910236301?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7951086933910236301/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7951086933910236301&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7951086933910236301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7951086933910236301'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/link-interessante-revista-penas.html' title='link interessante: revista Penas'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8806407249436551809</id><published>2008-11-13T06:29:00.000-08:00</published><updated>2008-11-14T05:45:45.538-08:00</updated><title type='text'>links Asymptote</title><content type='html'>Como todos perceberam, houve uma demora para postar os links dos próximos seminários.&lt;br /&gt;Isso se deve principalmente ao fato da existência de muita informação disponível na internet sobre os temas dos últimos seminários.&lt;br /&gt;Basta ir no gooooooogle e digitar os arquitetos e/ou projetos e os links vêm aos montes.&lt;br /&gt;Só do Asymptote, por exemplo, têm artigos da Times magazine, do jornal New York Times, artigos em PDF que citam o trabalho do grupo, e assim por diante....&lt;br /&gt;&lt;br /&gt;Aqui vão alguns links:&lt;br /&gt;&lt;br /&gt;Steel Cloud:&lt;br /&gt;&lt;a href="http://www.archidose.org/May99/050399.htm"&gt;http://www.archidose.org/May99/050399.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://odlandscape.blogspot.com/2006/12/las-steel-cloud-1988.html"&gt;http://odlandscape.blogspot.com/2006/12/las-steel-cloud-1988.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.urbanresearchgroup.net/Work-6-UR.pdf"&gt;http://www.urbanresearchgroup.net/Work-6-UR.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;EyeBeam:&lt;br /&gt;&lt;a href="http://eyebeam.org/"&gt;http://eyebeam.org/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://eyebeam.org/about/facility.php"&gt;http://eyebeam.org/about/facility.php&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.uni-weimar.de/gestaltung/html/weblog/g/user/28579/asymptotearchitects.pdf"&gt;http://www.uni-weimar.de/gestaltung/html/weblog/g/user/28579/asymptotearchitects.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="http://xxfabixx.sites.uol.com.br/textos/texto4.htm"&gt;http://xxfabixx.sites.uol.com.br/textos/texto4.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/PRG_0599.EXE/9117_7.PDF?NrOcoSis=27818&amp;amp;CdLinPrg=pt"&gt;http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/PRG_0599.EXE/9117_7.PDF?NrOcoSis=27818&amp;amp;CdLinPrg=pt&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Notícias relacionadas:&lt;br /&gt;&lt;a href="http://www.time.com/time/covers/1101030908/xdesign.html"&gt;http://www.time.com/time/covers/1101030908/xdesign.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2007/06/28/arts/design/28arch.html?_r=1&amp;amp;fta=y&amp;amp;oref=slogin"&gt;http://www.nytimes.com/2007/06/28/arts/design/28arch.html?_r=1&amp;amp;fta=y&amp;amp;oref=slogin&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.archilab.org/public/1999/artistes/asym01en.htm"&gt;http://www.archilab.org/public/1999/artistes/asym01en.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.designws.com/pagina/1asymptoteeng.htm"&gt;http://www.designws.com/pagina/1asymptoteeng.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.world-architects.com/index.php?seite=ny_profile_architekten_detail_us&amp;amp;system_id=11135"&gt;http://www.world-architects.com/index.php?seite=ny_profile_architekten_detail_us&amp;amp;system_id=11135&lt;/a&gt;&lt;br /&gt;&lt;a href="http://archinect.com/news/article.php?id=14740_0_24_0_C"&gt;http://archinect.com/news/article.php?id=14740_0_24_0_C&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.specifier.com.au/projects/retail-and-entertainment/32827/Architectural-Iconoclasts-Virtual-Reality.html"&gt;http://www.specifier.com.au/projects/retail-and-entertainment/32827/Architectural-Iconoclasts-Virtual-Reality.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8806407249436551809?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8806407249436551809/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8806407249436551809&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8806407249436551809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8806407249436551809'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/11/links-asymptote.html' title='links Asymptote'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-6399349012835051063</id><published>2008-10-27T11:22:00.000-07:00</published><updated>2008-10-27T17:07:36.543-07:00</updated><title type='text'>seminários: Daniel Libeskind e Rem Koolhaas</title><content type='html'>Na aula anterior à semana de arquitetura tivemos dois seminários.&lt;br /&gt;&lt;br /&gt;No primeiro, uma instalação inicialmente sombria caracterizava o espaço do seminário sobre &lt;strong&gt;Daniel Libeskind&lt;/strong&gt;.&lt;br /&gt;A entrada se dava por um labirinto feito de plástico preto, sujo e com cheio ruim. Com a iluminação estroboscópica, os sentidos espaciais ficavam premeditadamente desorientados, para depois passarmos por tótens brancos, de formas simples.&lt;br /&gt;O espaço era claustrofóbico, quente e cheio de fumaça, com uma trilha sonora fúnebre e angustiante.&lt;br /&gt;Sensações bastante desagradáveis, mas plasticamente perfeitas para os temas abordados: a nova ala do museu judaico de Berlim (e tudo o que o holocausto pode ter significado) e a remodelação do World Trade Centre, em Nova Iorque.&lt;br /&gt;&lt;br /&gt;As projeções das imagens e vídeos foram feitas diretamente na parede, não fugindo da rusticidade ruidosa do tema.&lt;br /&gt;O vídeo exibido inicialmente abordava os horrores do holocausto do início do século passado.&lt;br /&gt;&lt;br /&gt;Dentre todas essas sensações e informações, fica a reflexão sobre abordagens arquitetônicas de temas e conceitos difíceis e emocionalmente fortes, e como essas abordagens se convertem em espaço construído.&lt;br /&gt;&lt;br /&gt;A seguir, temos um trecho do vídeo captado pelo aluno Paulo, onde podemos ter uma lembrança do que foi o espaço com a instalação. Vídeo editado pelo professor.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oYiUSPiMypk&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/oYiUSPiMypk&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;No seminário seguinte, o tema era o livro &lt;strong&gt;S.M.L.XL.&lt;/strong&gt;, sobre a obra do arquiteto holandês &lt;strong&gt;Rem Koolhaas&lt;/strong&gt;.&lt;br /&gt;No post abaixo, encontram-se links que informam mais sobre o livro, e sobre os trabalhos do arquiteto. Um dos links é sobre o designer do livro: Bruce Mau. Vale a pena conferir, assim como os outros links.&lt;br /&gt;&lt;br /&gt;A seguir, algumas fotos do espaço montado para o seminário, clicadas também pelo Paulo.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SQYDG5z28-I/AAAAAAAAALc/HTrAXZ1g6eI/s640/DSC02799.JPG" width="544" height="393" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SQYDKBLB7ZI/AAAAAAAAALk/YZNp9nvuw1o/s640/DSC02800.JPG" width="544" height="382" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SQYDMVvo6KI/AAAAAAAAALw/PUfQSsA1wVk/s640/DSC02805.JPG" width="544" height="402" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-6399349012835051063?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/6399349012835051063/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=6399349012835051063&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/6399349012835051063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/6399349012835051063'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/10/seminrios-daniel-libeskind-e-rem.html' title='seminários: Daniel Libeskind e Rem Koolhaas'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh4.ggpht.com/arqhod/SQYDG5z28-I/AAAAAAAAALc/HTrAXZ1g6eI/s72-c/DSC02799.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-1781377098207598934</id><published>2008-10-09T15:54:00.000-07:00</published><updated>2008-10-09T16:36:20.808-07:00</updated><title type='text'>Links para próximos seminários</title><content type='html'>&lt;strong&gt;Rem Koolhaas:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.saplei.eesc.usp.br/alunos_2007/Sven/Arquitetos%20Insight/Rem%20Koolhaas...OMA/Arquitetos%20Insight%201.html"&gt;&lt;span style="font-size:85%;"&gt;http://www.saplei.eesc.usp.br/alunos_2007/Sven/Arquitetos%20Insight/Rem%20Koolhaas...OMA/Arquitetos%20Insight%201.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.educatorium.com/projetos/projetos_biografias_int.php?id_projetos_biografias=34"&gt;&lt;span style="font-size:85%;"&gt;http://www.educatorium.com/projetos/projetos_biografias_int.php?id_projetos_biografias=34&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.oma.nl/"&gt;&lt;span style="font-size:85%;"&gt;http://www.oma.nl/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.oma.eu/index.php?option=com_content&amp;amp;task=view&amp;amp;id=23&amp;amp;Itemid=2"&gt;&lt;span style="font-size:85%;"&gt;http://www.oma.eu/index.php?option=com_content&amp;amp;task=view&amp;amp;id=23&amp;amp;Itemid=2&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://theurbanearth.wordpress.com/2008/06/18/arquitetura-contemporanea-contemporary-architecture-rem-koolhaas/"&gt;&lt;span style="font-size:85%;"&gt;http://theurbanearth.wordpress.com/2008/06/18/arquitetura-contemporanea-contemporary-architecture-rem-koolhaas/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;Sobre Bruce Mau, designer do livro SMLXL:&lt;br /&gt;&lt;a href="http://designpuro.blogspot.com/2008/05/bruce-mau-um-manifesto-para-o-sculo-xxi.html"&gt;&lt;span style="font-size:85%;"&gt;http://designpuro.blogspot.com/2008/05/bruce-mau-um-manifesto-para-o-sculo-xxi.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.brucemaudesign.com/"&gt;&lt;span style="font-size:85%;"&gt;http://www.brucemaudesign.com/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Daniel Libeskind:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.daniel-libeskind.com/"&gt;&lt;span style="font-size:85%;"&gt;http://www.daniel-libeskind.com/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://architecture.about.com/library/bl-libeskind-statement.htm"&gt;&lt;span style="font-size:85%;"&gt;http://architecture.about.com/library/bl-libeskind-statement.htm&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.dw-world.de/dw/article/0,2144,2170522,00.html"&gt;&lt;span style="font-size:85%;"&gt;http://www.dw-world.de/dw/article/0,2144,2170522,00.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://peepleofthebook.blogspot.com/2008/06/daniel-libeskind-opens-jewish-museum.html"&gt;&lt;span style="font-size:85%;"&gt;http://peepleofthebook.blogspot.com/2008/06/daniel-libeskind-opens-jewish-museum.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://911memorials.org/archives/category/news/daniel-libeskind/"&gt;&lt;span style="font-size:85%;"&gt;http://911memorials.org/archives/category/news/daniel-libeskind/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MVRDV:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.mvrdv.nl/_v2/"&gt;&lt;span style="font-size:85%;"&gt;http://www.mvrdv.nl/_v2/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.floornature.com/articoli/articolo.php?id=25&amp;amp;sez=6"&gt;&lt;span style="font-size:85%;"&gt;http://www.floornature.com/articoli/articolo.php?id=25&amp;amp;sez=6&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.architecture.com/WhatsOn/Exhibitions/AtTheVictoriaAndAlbertMuseum/Room128a/2006/Onthethreshold/TheChangingFaceofHousing/BerlinVoids.aspx"&gt;&lt;span style="font-size:85%;"&gt;http://www.architecture.com/WhatsOn/Exhibitions/AtTheVictoriaAndAlbertMuseum/Room128a/2006/Onthethreshold/TheChangingFaceofHousing/BerlinVoids.aspx&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.makeitrightnola.org/mir_SUB.php?section=mir&amp;amp;page=designs&amp;amp;mySub=mvrdv"&gt;&lt;span style="font-size:85%;"&gt;http://www.makeitrightnola.org/mir_SUB.php?section=mir&amp;amp;page=designs&amp;amp;mySub=mvrdv&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.archilab.org/public/1999/artistes/mrdv01en.htm"&gt;&lt;span style="font-size:85%;"&gt;http://www.archilab.org/public/1999/artistes/mrdv01en.htm&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www4.mackenzie.com.br/fileadmin/Graduacao/FAU/Publicacoes/PDF_IIIForum_a/MACK_III_FORUM_LIZETE_RUBANO.pdf"&gt;&lt;span style="font-size:85%;"&gt;http://www4.mackenzie.com.br/fileadmin/Graduacao/FAU/Publicacoes/PDF_IIIForum_a/MACK_III_FORUM_LIZETE_RUBANO.pdf&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.vivercidades.org.br/publique222/cgi/cgilua.exe/sys/start.htm?infoid=1368&amp;amp;sid=19"&gt;&lt;span style="font-size:85%;"&gt;http://www.vivercidades.org.br/publique222/cgi/cgilua.exe/sys/start.htm?infoid=1368&amp;amp;sid=19&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://rseefo.com.br/?p=33"&gt;&lt;span style="font-size:85%;"&gt;http://rseefo.com.br/?p=33&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.vitruvius.com.br/forum/04biografia_nathalie_de_vries.asp"&gt;&lt;span style="font-size:85%;"&gt;http://www.vitruvius.com.br/forum/04biografia_nathalie_de_vries.asp&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-1781377098207598934?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/1781377098207598934/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=1781377098207598934&amp;isPopup=true' title='5 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1781377098207598934'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1781377098207598934'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/10/links-para-prximos-seminrios.html' title='Links para próximos seminários'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-452424030969534254</id><published>2008-10-08T18:56:00.000-07:00</published><updated>2008-10-14T10:17:03.306-07:00</updated><title type='text'>Seminário: Shigeru Ban</title><content type='html'>Konichiwa gosai masu!!!!&lt;br /&gt;A ênfase do seminário desta semana foi a atmosfera oriental: tradição e atualidade convivendo em sintonia.&lt;br /&gt;A entrada dava um primeiro indício do espaço: um arranjo silencioso, quase um altar, nos recebia para dentro do espaço do seminário.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh5.ggpht.com/arqhod/SO1LnypAVoI/AAAAAAAAAJ4/0xWMsGjxKws/s400/shigeru%2017.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 520px; HEIGHT: 355px" src="http://lh5.ggpht.com/arqhod/SO1LbcI6AoI/AAAAAAAAAIY/c_388mP9N8k/s640/shigeru%2003.jpg" width="520" height="381" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;O sabor da arquitetura minimalista japonesa também esteve presente: o espaço do seminário foi dividido em duas partes, por uma vedação feita em tubos de papelão, material que nos direciona diretamente aos projetos de Shigeru Ban.&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 521px; HEIGHT: 394px" src="http://lh5.ggpht.com/arqhod/SO1Lpvrh-kI/AAAAAAAAAKA/4MZGecAhdqE/s640/shigeru%2018.jpg" width="507" height="313" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SO1LqpHUcbI/AAAAAAAAAKI/fCoEZRaiBKI/s400/shigeru%2019.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;Os alunos se acomodavam sobre um tatame de papelão.&lt;br /&gt;O principal material principal utilizado na composição deste espaço foi o papelão. Não sei se todos perceberam essa sutileza: o clima estava frio, com vento, e estavamos sentados no chão, isolados termicamente do frio pelo papelão que estava ao redor e sobre nossos corpos. Talvez seja muito óbvio falar das características de conforto térmico deste material, mas também é inegável que sentimos NA PELE suas propriedades.&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 460px; HEIGHT: 436px" src="http://lh4.ggpht.com/arqhod/SO1LhMXqZxI/AAAAAAAAAJI/hkEPAbwtj54/s512/shigeru%2009.jpg" width="471" height="436" /&gt;&lt;br /&gt;&lt;br /&gt;O ambiente foi todo iluminado por pequenas velas que boiavam em recipientes de vidro, dispostos seguindo a linha da vedação de papelão. Além de uma postura ecológica do grupo (não utilizar luz elétrica para iluminar o espaço), isso também contribuiu no conforto térmico: mesmo com o vento frio do lado de fora da sala, alguns alunos tiraram as blusas mais pesadas.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh3.ggpht.com/arqhod/SO1LaavExqI/AAAAAAAAAIQ/T7naD6aX3Zw/s400/shigeru%2002.jpg" /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/arqhod/SO1LeQRzG0I/AAAAAAAAAI4/2pFXaOWbhik/s400/shigeru%2007.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 502px; HEIGHT: 387px" src="http://lh6.ggpht.com/arqhod/SO1LcMJwspI/AAAAAAAAAIg/1KKrev-CtBE/s640/shigeru%2004.jpg" width="502" height="361" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 502px; HEIGHT: 379px" src="http://lh6.ggpht.com/arqhod/SO1Ld521UWI/AAAAAAAAAIw/bTqrWbJmR3w/s640/shigeru%2006.jpg" width="504" height="397" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 502px; HEIGHT: 369px" src="http://lh4.ggpht.com/arqhod/SO1Lf1_z0uI/AAAAAAAAAJA/1SOjcLn4oAg/s640/shigeru%2008.jpg" width="506" height="374" /&gt;&lt;br /&gt;&lt;br /&gt;O espaço também exibia vários objetos em origami, outra referência à tradição japonesa.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/arqhod/SO1LcigeJ-I/AAAAAAAAAIo/neB_gn16ayk/s400/shigeru%2005.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 510px; HEIGHT: 378px" src="http://lh3.ggpht.com/arqhod/SO1LkdcQsTI/AAAAAAAAAJg/6kmGo70_vYY/s640/shigeru%2013.jpg" width="525" height="386" /&gt;&lt;br /&gt;&lt;br /&gt;A parte expositiva do seminário se desenrolou em uma das partes do ambiente. Ao final do seminário, os alunos passaram para a outra parte do espaço, onde conversaram degustando  petiscos salgados.&lt;br /&gt;&lt;br /&gt;As imagens do seminário podem ser vistas também no link abaixo:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/ShigeruBan"&gt;&lt;span style="font-size:85%;"&gt;http://picasaweb.google.com.br/arqhod/ShigeruBan&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;#&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;Postado por: Marcos M.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-452424030969534254?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/452424030969534254/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=452424030969534254&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/452424030969534254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/452424030969534254'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/10/seminrio-shigeru-ban.html' title='Seminário: Shigeru Ban'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/arqhod/SO1LnypAVoI/AAAAAAAAAJ4/0xWMsGjxKws/s72-c/shigeru%2017.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8968400705328815292</id><published>2008-10-08T17:13:00.000-07:00</published><updated>2008-10-08T20:50:51.402-07:00</updated><title type='text'>Seminário: Buckminster Füller</title><content type='html'>O seminário desta semana foi literalmente bem estruturado.&lt;br /&gt;A surpresa ao entrar no espaço da sala de aula continuou presente, a exemplo do último seminário.&lt;br /&gt;Os alunos se acomodaram sob uma estrutura geodésica para assistir à apresentação.&lt;br /&gt;Os responsáveis pelo seminário trajavam terno e óculos escuros: uma imagem que lembrava o filme Men in Black.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh5.ggpht.com/arqhod/SO1BNVE2S8I/AAAAAAAAAFI/SMXW4ijch_A/s640/bucky%2014.jpg" width="559" height="412" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 559px; HEIGHT: 411px" src="http://lh3.ggpht.com/arqhod/SO1BPxE2hcI/AAAAAAAAAFY/bv-xdOGCEpw/s640/bucky%2013.jpg" width="561" height="414" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 560px; HEIGHT: 410px" src="http://lh4.ggpht.com/arqhod/SO1BYz_3YDI/AAAAAAAAAGg/GEb8YXtfuC4/s640/bucky%2005.jpg" width="563" height="411" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Embarcados no interior da 'nave' geodésica, os alunos que assitiram o seminário tiveram o acompanhamento do som do U2, inicialmente, e depois uma trilha jazzística, bem contextualizada historicamente.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh6.ggpht.com/arqhod/SO1BSP_wW6I/AAAAAAAAAFo/cpjCmrpuH24/s640/bucky%2012.jpg" width="566" height="431" /&gt;&lt;br /&gt;&lt;img src="http://lh3.ggpht.com/arqhod/SO1BRH39IyI/AAAAAAAAAFg/UWnge3qi-uo/s640/bucky%2021.jpg" width="565" height="416" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 565px; HEIGHT: 411px" src="http://lh6.ggpht.com/arqhod/SO1BSyKpCdI/AAAAAAAAAFw/CdqXbRSi658/s640/bucky%2011.jpg" width="568" height="416" /&gt;&lt;br /&gt;&lt;br /&gt;A estrutura geodésica que caracterizava o espaço do seminário era formada por triângulos que tinham como hastes tubos de papelão conectadas por porcas e parafusos metálicos. Estrutura que proporcionava muitos ângulos interessantes para fotos.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SO1BVKvOdbI/AAAAAAAAAGA/Ti4bBmhX71k/s400/bucky%2009.jpg" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SO1BUTN5C1I/AAAAAAAAAF4/hq-cfwSkHx8/s400/bucky%2010.jpg" /&gt;&lt;br /&gt;&lt;img src="http://lh5.ggpht.com/arqhod/SO1BWIIr4MI/AAAAAAAAAGI/cCNWssxRaic/s400/bucky%2008.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 300px; HEIGHT: 316px" src="http://lh5.ggpht.com/arqhod/SO1BWooRbKI/AAAAAAAAAGQ/zMySzZNzB4c/s576/bucky%2007.jpg" width="305" height="332" /&gt;&lt;br /&gt;&lt;br /&gt;A montagem do espaço, segundo os alunos responsáveis, iniciou-se por volta das 13h00, contando com a contribuição de alunos de outros grupos (e até de outro período!).&lt;br /&gt;Parabéns também pelo fator aglutinador e integrador entre alunos!!&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 455px; HEIGHT: 345px" src="http://lh4.ggpht.com/arqhod/SO1BMZ05OtI/AAAAAAAAAFA/rZNsOWI_ol8/bucky%2015.jpg" width="512" height="383" /&gt;&lt;br /&gt;&lt;br /&gt;Para finalizar o seminário, os alunos propuseram, de forma muito criativa, um workshop de construção de geodésicas, utilizando canudinhos plásticos e cola de contato. Neste momento, passamos do espaço sob a geodésica para o espaço ao lado, ainda dentro da sala, onde foram distribuídos folders com receitas para construção de vários tipos de geodésicas.&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 453px; HEIGHT: 313px" src="http://lh3.ggpht.com/arqhod/SO1Bea7sgkI/AAAAAAAAAHI/8fAOnhP147Y/s720/bucky%2016.jpg" width="453" height="396" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 454px; HEIGHT: 349px" src="http://lh4.ggpht.com/arqhod/SO1BbdkFpRI/AAAAAAAAAGw/qhuQl9br2fY/s576/bucky%2003.jpg" width="456" height="393" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 454px; HEIGHT: 365px" src="http://lh3.ggpht.com/arqhod/SO1Bcgl362I/AAAAAAAAAG4/spmWXWGQkLM/s640/bucky%2002.jpg" width="460" height="401" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SO1BZ6sj1YI/AAAAAAAAAGo/14hXOgpPCBc/s400/bucky%2004.jpg" width="325" height="439" /&gt;&lt;br /&gt;&lt;img src="http://lh5.ggpht.com/arqhod/SO1BdZdiDnI/AAAAAAAAAHA/0umvNEurH6I/s400/bucky%2001.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;Mais imagens do seminário podem ser vistas no link abaixo:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/BuckminsterFuller"&gt;http://picasaweb.google.com.br/arqhod/BuckminsterFuller&lt;/a&gt;#&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;Postado por: Marcos M.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8968400705328815292?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8968400705328815292/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8968400705328815292&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8968400705328815292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8968400705328815292'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/10/seminrio-buckminster-fller.html' title='Seminário: Buckminster Füller'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/arqhod/SO1BNVE2S8I/AAAAAAAAAFI/SMXW4ijch_A/s72-c/bucky%2014.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-5423875609484689193</id><published>2008-09-23T19:50:00.001-07:00</published><updated>2009-04-07T21:31:38.095-07:00</updated><title type='text'>Seminário: Archigram</title><content type='html'>Esta semana tivemos o primeiro seminário de nossa disciplina: &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Archigram&lt;/span&gt;.&lt;/strong&gt;&lt;br /&gt;E como é de comum acordo entre todos da turma, o seminário foi bastante empolgante, nos instigando a esperar muita coisa interessante ainda pela frente.&lt;br /&gt;&lt;br /&gt;Lembrando que todos os comentários sobre o conteúdo do trabalho foram feitos presencialmente, vemos a seguir algumas imagens do espaço e de alguns momentos do seminário.&lt;br /&gt;&lt;br /&gt;Na entrada, os alunos foram recebidos com pequenos buquês de flores (paz e amor!!), que vinham acompanhados por um aroma de incenso, entrando num clima 60'ies.&lt;br /&gt;As alunas do seminário estavam trajadas segundo os modos de vida da década de 1960.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 467px; HEIGHT: 355px" src="http://lh6.ggpht.com/arqhod/SNmoy3uN6fI/AAAAAAAAACk/bAqksoiR90o/archigram%2007.jpg" width="494" height="386" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 466px; HEIGHT: 320px" src="http://lh5.ggpht.com/arqhod/SNmpBKs_bdI/AAAAAAAAADk/QlnKcx29rRA/s720/archigram%2010.jpg" width="474" height="372" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SNmo_XlZh8I/AAAAAAAAADc/XFOVhIUfZgk/s400/archigram%2009.jpg" /&gt;&lt;br /&gt;&lt;img style="WIDTH: 443px; HEIGHT: 227px" src="http://lh3.ggpht.com/arqhod/SNmosCr5QRI/AAAAAAAAACE/fNnjAMFe84M/s912/archigram%2004.jpg" width="561" height="345" /&gt;&lt;br /&gt;Com os pés descalços, os alunos se acomodavam confortável e livremente em um arranjo multicolorido de tapetes e almofadas (onde também se encontravam vários carrinhos a fricção).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;O espaço preparado para o seminário também exibia painéis feitos com colagens de imagens relacionadas ao contexto histórico da década de 1960. Do mesmo modo, a colagem de imagens era amplamente utilizada na produção dos trabalhos do Archigram.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 263px; HEIGHT: 403px" src="http://lh3.ggpht.com/arqhod/SNmo6FRVr-I/AAAAAAAAADE/qvIUVywtCYA/s400/archigram%20painel%2005.jpg" width="263" height="390" /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SNmo2JESKBI/AAAAAAAAAC0/uBTtOE4OfT8/s400/archigram%20painel%2002.jpg" width="263" height="386" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lh4.ggpht.com/arqhod/SNmovZEN_GI/AAAAAAAAACM/ZtuoOhNo4g0/s400/archigram%2005%20big.jpg" width="322" height="414" /&gt;&lt;br /&gt;No teto do espaço, cobrindo as luminárias, vários metros de TNT vermelho criavam uma atmosfera instimista e estimulante, além de se referirem diretamente aos projetos do grupo Archigram.&lt;br /&gt;&lt;br /&gt;Parabéns ao grupo!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Todas as fotos que fiz do seminário podem ser vistas aqui:&lt;br /&gt;&lt;a href="http://picasaweb.google.com.br/arqhod/SeminRioArchigram"&gt;http://picasaweb.google.com.br/arqhod/SeminRioArchigram&lt;/a&gt;#&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*******&lt;br /&gt;&lt;br /&gt;Lembrete:&lt;br /&gt;Com a mudança de datas, combinamos que teremos dois seminários no mesmo dia:&lt;br /&gt;Shigeru Ban e Daniel Libeskind, no dia 07/10.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#990000;"&gt;postado por:&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#990000;"&gt;Marcos M.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-5423875609484689193?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/5423875609484689193/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=5423875609484689193&amp;isPopup=true' title='7 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/5423875609484689193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/5423875609484689193'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/09/seminrio-archigram.html' title='Seminário: Archigram'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh6.ggpht.com/arqhod/SNmoy3uN6fI/AAAAAAAAACk/bAqksoiR90o/s72-c/archigram%2007.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-2705049594656321141</id><published>2008-09-16T13:56:00.000-07:00</published><updated>2008-09-16T13:58:25.673-07:00</updated><title type='text'>Alterações</title><content type='html'>Pessoal,&lt;br /&gt;devido a palestra que acontecerá nesta terça, o seminário sobre o Archigram fica adiado para a próxima semana, quando conversaremos sobre as mudanças na agenda da disciplina.&lt;br /&gt;&lt;br /&gt;Para o pessoal do Archigram, neste link tem uma imagem com texto sobre o Cushicle.&lt;br /&gt;&lt;a href="http://www.aq.upm.es/Departamentos/Proyectos/VOV/VIV-ORG/Z-anagilsanz/web%20archigram/THE%20CUSHICLE.html"&gt;http://www.aq.upm.es/Departamentos/Proyectos/VOV/VIV-ORG/Z-anagilsanz/web%20archigram/THE%20CUSHICLE.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-2705049594656321141?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/2705049594656321141/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=2705049594656321141&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2705049594656321141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/2705049594656321141'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/09/alteraes.html' title='Alterações'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7779576000207522122</id><published>2008-09-02T20:14:00.000-07:00</published><updated>2008-09-02T21:40:53.372-07:00</updated><title type='text'>Artes Plásticas e conceitos atuais</title><content type='html'>A última aula pareceu bastante intensa, cheia de referências.&lt;br /&gt;Mas a idéia principal era entender como ocorreu o processo de &lt;strong&gt;desmaterialização do suporte&lt;/strong&gt; artístico na evolução das artes plásticas durante o século XX.&lt;br /&gt;Assim como mostrar que a imaterialização, ou ainda, a virtualização da experiência humana tende a tomar parte de nossas vidas de forma incontornável.&lt;br /&gt;&lt;br /&gt;Falamos das vanguardas do início do século XX, das vanguardas do pós-guerra (1950-60) e do fim das vanguardas a partir dos anos 1970.&lt;br /&gt;Mas sempre ligados aos paradigmas de Castells, discutidos na primeira aula. Durante as últimas aulas, esses conceitos foram abordados sob vários pontos de vista: filosofia, metrópoles, habitação e artes plásticas.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Assim, tivemos como objetivos nesta aula:&lt;br /&gt;. Entender conceitos atuais (paradigmas de M. Castells - ver texto no post da primeira aula), através de um entendimento de sua evolução das artes plásticas durante o século XX;&lt;br /&gt;. Estabelecer relações entre Artes plásticas e as Tecnologias da Informação e Ccomunicação;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tópicos abordados:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Começo do século XX:&lt;/strong&gt;&lt;br /&gt;. Vanguardas (avant garde): diversas formas de romper com o contexto histórico em que se inserem.&lt;br /&gt;. As vanguardas Modernas e o conceito de continuidade.&lt;br /&gt;. Arquitetura e artes plásticas: racionalismo e consciência sobre a realidade.&lt;br /&gt;&lt;span style="font-size:85%;color:#666666;"&gt;Bibliografia: ARGAN, G. C. 1992. Arte moderna. São Paulo, Companhia das Letras. Capítulo: Consciência e realidade.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pós-Guerra (1950-60):&lt;br /&gt;&lt;/strong&gt;As últimas vanguardas:&lt;br /&gt;. &lt;span style="color:#000099;"&gt;Pop-art&lt;/span&gt; – Andy Warhol e Lichtenstein - inserção das artes no comércio&lt;br /&gt;. &lt;span style="color:#000099;"&gt;Expressionismo abstrato&lt;/span&gt; (concretismo) – Rauschenberg, Pollock - arte como suporte para uma nova realidade. A representação é o real.&lt;br /&gt;. &lt;span style="color:#000099;"&gt;Happening ou performance&lt;/span&gt; - Allan Kaprow - O tempo é o suporte da linguagem artística. &lt;span style="font-size:85%;"&gt;(link: &lt;/span&gt;&lt;a href="http://www.geocities.com/Athens/Acropolis/5422/kaprow.html"&gt;&lt;span style="font-size:85%;"&gt;http://www.geocities.com/Athens/Acropolis/5422/kaprow.html&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; )&lt;br /&gt;&lt;/span&gt;. &lt;span style="color:#000099;"&gt;Minimalismo&lt;/span&gt; - Donald Judd e James Turrell - o objeto artístico rompe totalmente com a representação da realidade, criando uma realidade em si, de forma contundente.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Década de 1970:&lt;br /&gt;&lt;/strong&gt;Anti-arte:&lt;br /&gt;. &lt;span style="color:#000099;"&gt;Grupo Fluxus&lt;/span&gt; - &lt;em&gt;site specific&lt;/em&gt; (intalação) e performance – hibridização entre espaço+tempo.&lt;br /&gt;. &lt;span style="color:#000099;"&gt;Movimento Punk&lt;/span&gt; (resposta à então atual sociedade de consumo) - Malcom McLaren e Vivienne Westwood: estetas responsáveis pelos principais enunciados do movimento punk, além de criar a imagem ruidosa de bandas punk como Sex Pistols.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Posturas observadas:&lt;/strong&gt; . Anti-globalização; . Anti-homogeneização da cultura;&lt;br /&gt;. Mensagem rápida e negação das técnicas: músicas estruturadas em apenas dois acordes que se repetem; . Do yourself (faça você mesmo o que for consumir)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Década de 1980: &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;O fim das vanguardas&lt;/strong&gt;&lt;br /&gt;Novos meios de comunicação se popularizam: TV e videocassete&lt;br /&gt;A década perdida;&lt;br /&gt;Neo-expressionismo no Brasil;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Década de 1990:&lt;/strong&gt;&lt;br /&gt;Traços de ruptura, comuns nas vanguardas artísticas de todo o século, perdem lugar para as possibilidades de absorção de conteúdos, agora editáveis.&lt;br /&gt;Cultura digital: Novas tecnologias de produção de imagem ampliam as possibilidades de articular conteúdos.&lt;br /&gt;&lt;br /&gt;Trecho do texto:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Pimenta, E. D.&lt;strong&gt; Arquitetura Virtual.&lt;/strong&gt; Portugal: Vitruvius, fev. 2001. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;“Possuímos uma formidável rede de irrigação sangüínea localizada à frente das nossas retinas. Se pudéssemos ver quando os nossos olhos param, estaríamos perdidos numa rede de sombras e cores mesmo quando os nossos olhos estivessem em movimento – pois a rede de irrigação está sempre parada em relação à retina. Trata-se de um artifício do cérebro sem o qual seríamos praticamente cegos. Assim, os nossos olhos quase nunca param. Realizam mínimos e constantes movimentos de rastreamento, sem que os percebamos. Toda a história da arquitetura desde o mundo Sumério parece estar intimamente relacionada com essa fascinante e sutil capacidade de movimentação ocular – movemos os nossos olhos numa freqüência de cerca de dez vezes por segundo, imperceptivelmente.&lt;br /&gt;Até há pouco tempo a única coisa que fazia com que os nossos olhos parassem era o fogo. Por isso a magia que identificamos nas velas e nas fogueiras. Por isso, desde os mais remotos tempos, usamos velas em rituais e exercícios místicos. Trata-se de uma forma de fazer o olho parar, sem que notemos quando isso acontece.&lt;br /&gt;Mas o fogo era, na sua forma original, demasiadamente efêmero para que pudéssemos operar diretamente com ele. (...) Assim, mesmo após o desenvolvimento da lâmpada elétrica por Edison, o fogo continuava sendo o único meio que substituía eficientemente os imperceptíveis movimentos oculares… até que surgiu o tubo catódico, a televisão.”&lt;br /&gt;&lt;br /&gt;Discutimos também características de interfaces comunicacionais como a TV e a tela do monitor.&lt;br /&gt;W. Flüsser (filósofo contemporâneo): novos espelhos midiáticos.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Década de 2000:&lt;/strong&gt;&lt;br /&gt;&lt;span style="color:#000099;"&gt;Marcos Novak&lt;/span&gt; e arquitetura Imaterial: apropriações do espaço virtual.&lt;br /&gt;. Novas e mais potentes tecnologias para produção da imagem.&lt;br /&gt;Arquitetura Líquida: conceito de Pantópico e o que ele comenta sobre The loss of inscription.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(link para o texto: &lt;/span&gt;&lt;a href="http://www.krcf.org/krcfhome/PRINT/nonlocated/nlonline/nonMarcos.html"&gt;&lt;span style="font-size:85%;"&gt;http://www.krcf.org/krcfhome/PRINT/nonlocated/nlonline/nonMarcos.html&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; )&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#000099;"&gt;Stephen Perrella&lt;/span&gt; - Moebius House: habitação cuja existência se dá apenas em ambiente simulado, virtual. Constitue-se por uma membrana que recombina continuamente interior e exterior.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Link: &lt;/span&gt;&lt;a href="http://architettura.supereva.com/extended/19981201/index_en.htm"&gt;&lt;span style="font-size:85%;"&gt;http://architettura.supereva.com/extended/19981201/index_en.htm&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/31-The%20Moebius%20House%20study/ESTUDO4.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#000099;"&gt;Lee Bull&lt;/span&gt; - artista plástica coreana que trabalha com técnicas milenares (como a cerâmica) para a produção de esculturas de &lt;em&gt;cyborgs&lt;/em&gt;.&lt;br /&gt;&lt;img src="http://www.we-make-money-not-art.com/yyy/929.jpg" /&gt;  &lt;img src="http://www.we-make-money-not-art.com/yyy/927.jpg" /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(o site da artista está em construção....  mas o link é este: &lt;/span&gt;&lt;a href="http://www.leebul.com/"&gt;&lt;span style="font-size:85%;"&gt;http://www.leebul.com/&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; )&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;Postado por Marcos Marchetti&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7779576000207522122?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7779576000207522122/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7779576000207522122&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7779576000207522122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7779576000207522122'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/09/artes-plsticas-e-conceitos-atuais.html' title='Artes Plásticas e conceitos atuais'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7238506997918126154</id><published>2008-09-01T16:07:00.000-07:00</published><updated>2008-09-01T16:46:44.457-07:00</updated><title type='text'>Links para próximos seminários</title><content type='html'>Links para Buckminster Füller:&lt;br /&gt;&lt;a href="http://www.bfi.org/"&gt;http://www.bfi.org/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.designmuseum.org/design/r-buckminster-fuller"&gt;http://www.designmuseum.org/design/r-buckminster-fuller&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=hFcZunzg8T4"&gt;http://www.youtube.com/watch?v=hFcZunzg8T4&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=tcB9JPlgaoM"&gt;http://www.youtube.com/watch?v=tcB9JPlgaoM&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=YlLZE23EJKs&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=YlLZE23EJKs&amp;amp;feature=related&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(este é apenas uma curiosidade...)&lt;/span&gt; &lt;a href="http://www.youtube.com/watch?v=jN3FMx1TYt8"&gt;http://www.youtube.com/watch?v=jN3FMx1TYt8&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;vejam este carro inspirado no Dymaxion:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=-okmnsuD3oY&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=-okmnsuD3oY&amp;amp;feature=related&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Links para Shigueru Ban:&lt;br /&gt;&lt;a href="http://www.shigerubanarchitects.com/"&gt;http://www.shigerubanarchitects.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.archidose.org/May05/053005.html"&gt;http://www.archidose.org/May05/053005.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.futurehousenow.com/2007/01/shigeru-bans-naked-house.html"&gt;http://www.futurehousenow.com/2007/01/shigeru-bans-naked-house.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.designboom.com/history/ban_naked.html"&gt;http://www.designboom.com/history/ban_naked.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7238506997918126154?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7238506997918126154/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7238506997918126154&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7238506997918126154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7238506997918126154'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/09/links-para-prximos-seminrios.html' title='Links para próximos seminários'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8596749468545988587</id><published>2008-08-31T18:25:00.000-07:00</published><updated>2008-09-02T07:53:55.907-07:00</updated><title type='text'>Seminários 2008: temas, datas, projetos e grupos</title><content type='html'>&lt;strong&gt;1. Archigram - 16/09&lt;/strong&gt;&lt;br /&gt;Projetos: walking city, plug-in city e cushicle.&lt;br /&gt;Adriana, Suely, Yvonne&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. Buckminster Füller - 23/09&lt;/strong&gt;&lt;br /&gt;Projetos: habitações ecológicas (Dymaxion e Wichita House) e Dymaxion Car.&lt;br /&gt;Carlos, Dibo, Paulo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3. Shigeru Ban Architects - 30/09&lt;br /&gt;&lt;/strong&gt;Projetos de habitações e estruturas tubulares de papel.&lt;br /&gt;Guilherme, Maílton, Rosane&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4. Daniel Libeskind - 07/10&lt;/strong&gt;&lt;br /&gt;Projetos: ala judaica do museu de Berlim; Remodelação do World Trade Center, NY.&lt;br /&gt;André, paula, Stefanny&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5. Rem Koolhaas - 14/10&lt;/strong&gt;&lt;br /&gt;livro: S.M.L.X.L.&lt;br /&gt;Aline, Ariane&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;6. MVRDV - 28/10&lt;/strong&gt;&lt;br /&gt;Projetos: Berlin Voids; Pavilhão da Holanda na Expo 2000; Tetris; Puzzle.&lt;br /&gt;Dimas, Alane&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;7. ASYMPTOTE - 11/11&lt;br /&gt;&lt;/strong&gt;Projetos: Steel Cloud; Eyebeam Museum; World Business Center em Busan.&lt;br /&gt;Fernando, Lilian, Vanessa&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;8. Coop HimmelB[L]au - 18/11&lt;/strong&gt;&lt;br /&gt;Projetos: BMW Delivery Center; RoofTop Office; Museé des Confluences.&lt;br /&gt;Luis Fernando, Marcel, Priscila&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;9. Greg Lynn (GL Form) - 25/11&lt;br /&gt;&lt;/strong&gt;Projetos: Embryo House; automat competition; ark of the world.&lt;br /&gt;Daniel, Débora&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8596749468545988587?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8596749468545988587/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8596749468545988587&amp;isPopup=true' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8596749468545988587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8596749468545988587'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/seminrios-2008-temas-datas-projetos-e.html' title='Seminários 2008: temas, datas, projetos e grupos'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-1790054223773423372</id><published>2008-08-28T20:00:00.001-07:00</published><updated>2008-08-28T20:22:25.306-07:00</updated><title type='text'>Archigram 3D</title><content type='html'>Vejam que interessantes essas animações feitas a partir dos projetos do grupo Archigram.&lt;br /&gt;Links enviados pelo Marcel, nos comentários do post anterior.&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/tWDxmIoZjd8&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/tWDxmIoZjd8&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;(este tem como trilha uma música do Moby!!!)&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8aFgmc7a2nE&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/8aFgmc7a2nE&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;Walking City.&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Um1X1sNP5bs&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/Um1X1sNP5bs&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;Blow-out Village&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/0sQV_QR39_s&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/0sQV_QR39_s&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;Sin Centre 01&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/TxS37YUH5XU&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/TxS37YUH5XU&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;Sin Centre 02&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Este da Plug-in City é bem legal tb, apesar da baixa qualidade do vídeo.&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=AAtN_cbm6gM"&gt;http://www.youtube.com/watch?v=AAtN_cbm6gM&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#660000;"&gt;Postado por Marcos M.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-1790054223773423372?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/1790054223773423372/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=1790054223773423372&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1790054223773423372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/1790054223773423372'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/archigram-3d.html' title='Archigram 3D'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8670246582158416215</id><published>2008-08-26T20:40:00.000-07:00</published><updated>2008-08-26T21:25:38.231-07:00</updated><title type='text'>habitação como interface</title><content type='html'>&lt;strong&gt;Habitação:&lt;/strong&gt;&lt;br /&gt;. Espaço onde todos os fluxos da metrópole se entrecruzam;&lt;br /&gt;. Abriga hoje (década de 2000) um maior número de atividades em seu espaço interno, diferentemente das décadas passadas.&lt;br /&gt;. Novos equipamentos, &lt;em&gt;homeworking&lt;/em&gt;;&lt;br /&gt;. Automação residencial possibilita uma maior flexibilidade dos espaços, assim como tende a otimizar seus usos.&lt;br /&gt;&lt;br /&gt;A partir destes pontos, e sob a luz do texto de M. Castells, discutimos a relação entre espaço de habitar e interfaces comunicacionais.&lt;br /&gt;&lt;br /&gt;Conceituadas estas relações, foram expostos exemplos mais &lt;span style="color:#990000;"&gt;RADICAIS&lt;/span&gt; (relacionados à raiz do conceito, à essência): projetos arquitetônicos &lt;span style="color:#990000;"&gt;EXPERIMENTAIS&lt;/span&gt;, propostos a partir do ano de 1995.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.oosterhuis.nl/quickstart/uploads/pics/variomatic-12.jpg" /&gt;&lt;br /&gt;Variomatic - programable housing&lt;br /&gt;Arquiteto: Kas Oosterhuis&lt;br /&gt;Zoetermeer – Holanda, 2000&lt;br /&gt;&lt;a href="http://www.oosterhuis.nl/quickstart/index.php?id=135"&gt;http://www.oosterhuis.nl/quickstart/index.php?id=135&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img height="337" src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/42-Hyperhouse/exemplos-da-pele1.jpg" width="467" /&gt;&lt;br /&gt;Hyperhouse&lt;br /&gt;Arquitetos: Crowd Productions&lt;br /&gt;Sidney - Austrália, 2000&lt;br /&gt;&lt;a href="http://crowd.com.au/A_hyper.html"&gt;http://crowd.com.au/A_hyper.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img height="260" src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/32-Digital%20house/elevacao.jpg" width="467" /&gt;&lt;br /&gt;Digital house&lt;br /&gt;Arquitetos: Hariri + Hariri studio&lt;br /&gt;EUA, 1998&lt;br /&gt;&lt;a href="http://www.haririandhariri.com/RESIDENTIAL_FRAMESET.htm"&gt;http://www.haririandhariri.com/RESIDENTIAL_FRAMESET.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="WIDTH: 443px; HEIGHT: 334px" height="356" src="http://www.eesc.usp.br/nomads/dialogosadistancia/projetos_virt/imagens/45-turnOn/extend.jpg" width="443" /&gt;&lt;br /&gt;turnOn: urban sushi&lt;br /&gt;AWG [AllesWirdGut]&lt;br /&gt;Áustria, 1999-2000&lt;br /&gt;&lt;a href="http://www.alleswirdgut.cc/awg.php?go=TURNON"&gt;http://www.alleswirdgut.cc/awg.php?go=TURNON&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;texto para próxima aula:&lt;br /&gt;&lt;/strong&gt;COUCHOT, E. Da representação à simulação: evolução das técnicas e das artes da figuração.&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm"&gt;http://www.eesc.usp.br/nomads/textos/arq_textos/couchot.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sugestão:&lt;/strong&gt;&lt;br /&gt;achei esse link bem interessante.&lt;br /&gt;É uma linha do tempo sobre a interatividade na arquitetura.&lt;br /&gt;Notem a presença de projetos abordados (ou ainda a serem abordados) em nossas aulas!&lt;br /&gt;&lt;a href="http://www.dipity.com/user/sakr/timeline/personal/list"&gt;http://www.dipity.com/user/sakr/timeline/personal/list&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#660000;"&gt;Postado por Marcos M.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8670246582158416215?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8670246582158416215/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8670246582158416215&amp;isPopup=true' title='5 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8670246582158416215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8670246582158416215'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/habitao-como-interface.html' title='habitação como interface'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-3698444015424395809</id><published>2008-08-19T20:41:00.000-07:00</published><updated>2008-08-19T21:31:27.368-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='metrô Londres'/><category scheme='http://www.blogger.com/atom/ns#' term='metrópoles'/><title type='text'>Os novos limites das Metrópoles</title><content type='html'>Ainda discutindo as principais características do momento atual, nesta aula abordamos os seguintes assuntos, tendo como recorte o espaço (concreto e virtual) das metrópoles:&lt;br /&gt;&lt;br /&gt;. A substituição das muralhas pelas redes de vigilância.&lt;br /&gt;&lt;br /&gt;. telepresença: presença à distância, através de um corpo sem matéria, apenas informação.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;. o mapa do metrô de Londres.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://homepage.ntlworld.com/clivebillson/tube/tube.html"&gt;&lt;span style="font-size:85%;"&gt;[link para a página com a História do Mapa do Metrô de Londres]&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;. sociedade industrial (séc. XVIII e XIX): a população agrupa-se em pólos onde está a informação,&lt;br /&gt;. sociedade pós-industrial, ou sociedade da era da informação: o escritório (local de trabalho) é onde você está.&lt;br /&gt;&lt;br /&gt;. novos perfis de habitantes das metrópoles: &lt;strong&gt;Sedentários e Nômades.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;. Novos contornos das esferas pública e privada.&lt;/p&gt;. Finalizamos com exemplos de apropriações arquitetônicas do espaço urbano dos dias atuais.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;. Durante a aula também discutimos brevemente o surgimento do conceito de cibernética.&lt;br /&gt;E como este é o tema, tem este videozinho abaixo sobre uma inusitada relação entre homem x máquina (ou criança x máquina):&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8XNIZixhTGI&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/8XNIZixhTGI&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Textos para próxima aula:&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online01.htm"&gt;HABITAÇÃO, HÁBITOS E HABITANTES: TENDÊNCIAS CONTEMPORÂNEAS METROPOLITANAS.&lt;/a&gt;&lt;/span&gt; &lt;span style="font-size:78%;color:#666666;"&gt;(Prof. Dr. Marcelo Tramontano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;color:#666666;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.eesc.usp.br/nomads/livraria/livraria_artigos_online03.htm"&gt;Um toque de imaterialidade:o impacto das novas midias no projeto do espaço doméstico.&lt;/a&gt; &lt;span style="font-size:78%;color:#666666;"&gt;(Marcelo Tramontano, Anja Pratschke, Marcos Marchetti).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;color:#666666;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Recado para o grupo Archigram&lt;/strong&gt; &lt;span style="font-size:85%;"&gt;(e também para quem interessar possa!):&lt;/span&gt;&lt;br /&gt;O livro que citei é este:&lt;br /&gt;GUIHEUX, A. Archigram. Paris: Centre Georges Pompidou, 1994.&lt;br /&gt;&lt;br /&gt;Achei um texto inicial bem interessante neste blog:&lt;br /&gt;&lt;a href="http://everson-pg.blogspot.com/2006/11/archigram.html"&gt;&lt;span style="font-size:85%;"&gt;http://everson-pg.blogspot.com/2006/11/archigram.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;Postado por Marcos M.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;color:#990000;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-3698444015424395809?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/3698444015424395809/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=3698444015424395809&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/3698444015424395809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/3698444015424395809'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/os-novos-limites-das-metrpoles.html' title='Os novos limites das Metrópoles'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-7499935184305693677</id><published>2008-08-12T20:08:00.000-07:00</published><updated>2008-08-12T21:26:51.473-07:00</updated><title type='text'>Além do trânsito e do blecaute</title><content type='html'>Primeira aula.&lt;br /&gt;&lt;br /&gt;Foram discutidos os 5 Paradigmas tecnológicos dos dias atuais propostos por M. Castells:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1. Matéria prima&lt;br /&gt;&lt;br /&gt;2. Dispersão (penetrabilidade)&lt;br /&gt;&lt;br /&gt;3. Lógica [arquitetura] de redes&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;4. Flexibilidade&lt;br /&gt;&lt;br /&gt;5. Convergências (hibridismos)&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(ler texto completo em: &lt;/span&gt;&lt;a href="http://www.nomads.usp.br/site/castells.htm"&gt;&lt;span style="font-size:85%;"&gt;http://www.nomads.usp.br/site/castells.htm&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;Após sairmos da ´caverna do apagão´, concluímos com Zygmunt Bauman e com Philippe Quéau.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(O texto que todos já deveriam ter lido está em: &lt;/span&gt;&lt;a href="http://www.eesc.sc.usp.br/nomads/queau.htm"&gt;&lt;span style="font-size:85%;"&gt;http://www.eesc.sc.usp.br/nomads/queau.htm&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Lembretes:&lt;/strong&gt;&lt;br /&gt;1. Não se esqueçam de se organizarem em grupos e escolherem seus temas.&lt;br /&gt;&lt;br /&gt;2. O grupo que escolher como tema o Archigram, favor começar a trazer dúvidas/idéias para o seu seminário, nos atendimentos antes da aula.&lt;br /&gt;&lt;br /&gt;3. Por favor: participem deste blog.&lt;br /&gt;Não apenas leiam, mas registrem sua participação, sugerindo temas em posts, ou comentando temas propostos!&lt;br /&gt;&lt;br /&gt;4. Espero também sugestões de links interessantes ao tema da disciplina.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Boas leituras!&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#660000;"&gt;Postado por: Marcos M.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-7499935184305693677?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/7499935184305693677/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=7499935184305693677&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7499935184305693677'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/7499935184305693677'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/alm-do-trnsito-e-do-blecaute.html' title='Além do trânsito e do blecaute'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3713334427135773509.post-8413152373361381499</id><published>2008-08-10T11:50:00.000-07:00</published><updated>2008-08-10T12:57:48.891-07:00</updated><title type='text'>bem vindos!</title><content type='html'>&lt;img src="http://www.mat.ucsb.edu/calc_images/ihc-image-novak.jpg" /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#990000;"&gt;&lt;em&gt;Liquid architecture&lt;/em&gt; - Marcos Novak&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sejam bem vindos!&lt;br /&gt;Este é o blog da disciplina Arquitetura Hodierna.&lt;br /&gt;Iniciado neste segundo semestre de 2008, tem como participantes iniciais os alunos do oitavo período do curso de Arquitetura da Unicep - São Carlos.&lt;br /&gt;&lt;br /&gt;O funcionamento deste blog acontecerá coletivamente, com alunos e professores postando informações relevantes para a disciplina, assim como comentando sempre os posts enviados.&lt;br /&gt;&lt;br /&gt;Este espaço virtual será, portanto, uma possibilidade de extensão das discussões feitas durante as aulas, gerando a possibilidade de maior interação entre os alunos, e também entre os alunos e o responsável pela disciplina.&lt;br /&gt;&lt;br /&gt;Espero a colaboração de todos para o sucesso deste espaço!&lt;br /&gt;Um ótimo semestre a todos!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#990000;"&gt;Postado por: Marcos M.&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#990000;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#990000;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3713334427135773509-8413152373361381499?l=arqhod.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqhod.blogspot.com/feeds/8413152373361381499/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3713334427135773509&amp;postID=8413152373361381499&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8413152373361381499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3713334427135773509/posts/default/8413152373361381499'/><link rel='alternate' type='text/html' href='http://arqhod.blogspot.com/2008/08/bem-vindos.html' title='bem vindos!'/><author><name>arquitetura hodierna</name><uri>http://www.blogger.com/profile/12292872913320283040</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
